Showing posts with label Friday Talkback. Show all posts
Showing posts with label Friday Talkback. Show all posts

April 14, 2010

Tryin to lose those awkward teenage blues...


Talkback around Bill's exceptional takedown of the beloved (by whom?) The Natural - and, incidentally, I also hate Butch Cassidy and the Sundance Kid - and my reverent mumblecore shrine to one of my favorite moments from the New American Cinema: Arthur Penn's Night Moves.

TMI: I have a framed poster from its initial release in my basement bathroom along with posters of The Conversation, Dead Man, Dogville, and Barton Fink and though DVD Savant Glenn Erickson hates its tagline of "Maybe he'd find the girl, maybe he would find himself" (he calls it something like "awful Bergman" and he's probably not wrong), I kind of love it. I also love the way that posters from the seventies showed breasts sans nipples (like w/Jaws of that same year), as a way to sanitize it for our protection. All it did for me was create a whole new paradigm for fantasizing at an early age about the mystery of breasts.

Check out Alex's (Utah-based Alex's) take on HBO's Big Love Season Two and was anyone as surprised as me that Where the Wild Things Are didn't get more love? Finally - saw Kick-Ass... who's taking bets?
Also - anyone else as geeked as me about Terrence Malick's Tree of LIfe? A companion piece to The Fountain with its original star Brad Pitt? Groovy.

April 02, 2010

Friday Talk-Back

An act of optimism, perhaps, here hopefully the invitation with many happy returns of a Friday Talkback thread.

Talk about our new release reviews of Girl with the Dragon Tattoo and Clash of the Titans...

Or Bryant's fabbo review of the original Clash of the Titans...


Talk about the week's deaths, arrests, startling revelations, and other errata...

All topics fair within reason. And did I mention that if you're in the Denver area next Tuesday you should swing by the Denver Public Library around 6p to see me introduce and discuss afterwards a screening of Malick's Badlands?

You can talk about Badlands, too, if you want.

October 16, 2009

Where the Wild Bullet Points Are

Opening day of Where the Wild Things Are was once so far away that it seemed theoretical, but here we are, and Walter's review is up, and since we generally hold talkbacks for the dork event movies, have at it.

Some other, random talking points:
  • Last night, "The Office" followed up their transcendant wedding hour with what is easily the worst episode in the show's history, an epic fail I didn't think they'd even be capable of until that inevitable day when Steve Carell's contract runs out and he's replaced by Ted McGinley.
  • I was a bit of a shit disturber at Glenn Kenny's Blog yesterday in a post linking to a Salon survey of film types on their favourite Coen Brothers movie, but I was disappointed to see so much Lebowski love from people with a presumably broader palette to choose from than your average cubicle drone. On the other hand: great movie. If I recall correctly we all put our favourite Pixars in order before Up came out; now that A Serious Man has gone wide, how would you rank the Coens' oeuvre?
  • If my Twitter experience has taught me anything, it's that I'm not as compulsive as I thought. Sadly, I'm hemorrhaging followers as a result.
  • Did I mention we have a new book out? Also, to answer a common query of our international readers, I suspect the Superannual will go on sale at Amazon in November.

February 19, 2009

It's Pitchy, Slumdawg

Just in time for Oscar®:

Which is why Danny Boyle's frivolous, exploitive, essentially unforgivable Slumdog Millionaire is such a blight. Nobody likes a downer, and sure enough Boyle's latest folly is an uplifting piece of crap that combines two of our favourite pastimes: winning the lottery and cultural obliviousness. If Boyle and screenwriter Simon Beaufoy were contemporaries of Leni Riefenstahl, rest assured they would have made a happy-go-lucky triumph of the will piece starring the involuntary residents of Auschwitz in the world's most inappropriate game of "You Bet Your Life". It's the sort of film that wins awards this time of year because it's the sort of film that encourages audiences to applaud themselves for their tolerance of blacks/retards/Jews/fags from the safety of a theatre full of people of the exact same socio-cultural strata.
Read Walter Chaw's full review here.

September 25, 2008

Revenge of the Talkback (Update)

We did these pretty regularly for a spell, and with the mothersite generating a lot of content lately, now seems as good a time as any to revive the Friday Talkback--especially since everybody's pretty well-represented this week.

Review roundup:

More coverage of this week's theatricals may trickle in; until then, have at it.

UPDATE (09/28/08): Well, your enthusiasm seals it: that's the last time I try to revive this shit. Anyway, a heads-up that our Festival Index has finally been not only updated--I can't believe there were no umbrella links to Alex's Sundance coverage before this--but also overhauled; you can now find links to every scrap of coverage we've written about various film festivals since the site's infancy, a makeover project that was long overdue. (I myself tore my hair out in frustration just trying to find some of this stuff.)

Now to fix those Links and Bios pages!

May 17, 2007

Thursday's Friday Talkback

If you're wondering about the spotty transmissions of late, I broke my freakin' arm. Between this and the hernia operation, I hope I've finally shed the cosmic "kick me" sign, though it'll still be a couple of weeks before I'm out of the sling and substantially contributing to the site again. Could be worse, of course--could be "The Office" heartbreaker Jenna Fischer, who recently, gulp, broke her back. Apparently she'll make a full recovery, but nevertheless: get well soon, Pam!

Anyway, we haven't had a proper talkback in a while, so here's a sampling of some recent reviews bound to jumpstart the conversation around here, including a sneak peek at Walter's review of Shrek the Turd--er, Third. There is also this, the trailer for the latest Un Film de Michael Bay, which brings to mind Joe Dante's reason for turning down Batman: because he didn't believe in Batman, he believed in the Joker. From the looks of things, they hired a Decepticon to direct Transformers.

Next week marks a special occasion for FFC; more on that soon.

March 16, 2007

Friday Talkback (03/16/07)

New content for the week:
Meanwhile, some offshore links of interest:

Incidentally, does it send chills up anyone else's spine that Angelina Jolie renamed the 3-year-old kid she just adopted? I don't remember three, but I'm pretty sure by that point I answered to my name and would've had a major identity crisis if you'd started calling me something else.

UPDATE (03/16/07, 8:15pm): For those of you who get TCM, tomorrow at 12:00pm EST is your last chance to catch Billy Wilder's ultra-bitter, rarely-screened Ace in the Hole (aka The Big Carnival), long considered a holy grail among DVD collectors.

March 08, 2007

Friday Talkback

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March 02, 2007

Friday Talkback

Light line-up; chalk it up to Oscar fatigue.
Next week: Borat (DVD); Melodious Mondays concludes.

February 23, 2007

Friday Talkback (02/23/07)

FFC fiddles while Britney burns:
Hard to believe the Oscar (whoops, am I allowed to use that word?) telecast is just days away. I suppose we should talk about them, but for some reason I'm feeling more apathetic about the whole circus than ever before.

February 15, 2007

Friday Talkback + "What Goes Around Comes Around"

Extra! Extra! Read all about:

Finally some Fellini, huh?

In the meantime, has anyone seen the despicable video for Justin Timberlake's "What Goes Around ...Comes Around"? Another sweeping epic from "Wake Me Up When September Ends" faux-teur Samuel Bayer complete with opening titles (the credit "written by Nick Cassavetes" might as well read "not written by John Cassavetes," given the pathetic attempts at Papa John's verisimilitude), this 9-minute X-ray of Timberlake's petty little head single-handedly justifies every knee-jerk bit of vitriol I've wanted to spew at him. Here's the premise: claiming to have already met her no-talent assclown quota for the evening (she motions to her "date," Shawn Hatosy), a blonde, noirishly-attired Scarlett Johansson--on whom one-time fan Glenn Kenny recently closed "the iron door" for this betrayal of her gender--spurns Timberlake's advances; proving he is the true inheritor of Vanilla Ice's mantle, Timberlake basically tries the drop-the-zero-and-get-with-the-hero approach, which, though the chronology is difficult to parse, apparently works, as just a few shots later he's making out with her. Scarlett subsequently does what any sensible woman would do after coming in direct contact with Timberlake and submerges herself in the nearest body of water, an act of Karen Silkwood self-preservation that JT immediately annuls by jumping in the pool after her.

Then the blind chimpanzee holding the camera has fun with the incongruity of au courant Timberlake--whose co-opting of black culture is so comprehensive that he's annexed LL Cool J's lip-licking tic--in a Carnival of Venice mise-en-scène and the AVID stutters out that Scarlett and Timberlake have become an item, that Hatosy is actually a close acquaintance of the two, and that Scarlett is a chubby-chaser with eyes for Hatosy. Timberlake is livid when he discovers his best friend and his best girl snogging in a stairwell and tries to beat up both until Scarlett, through the magic of lazy editing, manages to get in her car and drive away. The jealous Mouseketeer pursues her in a high-speed chase that ends with Scarlett spinning out of control into a flaming wreck Bayer oh-so-cleverly match-cuts with some fire-eaters back at the club. As Timberlake surveys the scene and cops a feel of Scarlett's corpse, the song's titular refrain adopts a malicious chuckle--and starts to conspicuously sound, in its passive-aggressive way, like an O.J.-ish warning to JT's on-again/off-again paramour Cameron Diaz. (Again we see that no black icon is sacred to Timberlake.) Indeed, this video confirms he was far too juvenile to be dating a woman ten years his senior in the first place; if nothing else, the hermetic seal of fame only seems to have made him less accountable since he commemorated his Britney Spears break-up with a stalker's lament ("Cry Me a River"), the video for which has him trashing an ex-girlfriend's pad in bullet-time then spying on her as she takes a shower. I've really had enough of this dick in a box.

February 02, 2007

Friday Talkback (02/02/07)

Déjà vu all over again. This is one of those rare weeks where all of us have submitted something for your reading enjoyment:
Next week: the final lap of Alex's Sundance coverage.

January 26, 2007

Friday Talkback

Sound off on this week's reviews:
Next week: Something creepy, kooky, spooky, and ooky.

January 19, 2007

Friday Talkback

Release the hounds:
Next week: a Sundance sojourn; more musicals; and the latest addition to our "Must-Own" list.

January 12, 2007

Friday Talkback

The peanut gallery is now open:
Scroll down for more discussion topics from Ian Pugh and Travis Mackenzie Hoover.

January 05, 2007

By Popular Demand: Friday Talkback

I guess it's somewhat redundant this week, but consider this the institution of the Friday Talkback. Here's your chance to sound off on the past five days' worth of content--or anything remotely germane, really:

Children of Men + Letters from Iwo Jima (Walter Chaw)
Dane Cook's Tourgasm (Ian Pugh)
A Star is Born (1976) (Travis Mackenzie Hoover)
That's My Bush!: The Definitive Collection (IP)
Conversations with Other Women (TMH)


In subsequent editions, this may get more elaborate.

On a side note: did anyone catch "The Office" last night? Poor Pam. Poor, delicious Pam.

UPDATE: Our own Alex Jackson has just posted his personal best/worst list at I VIDDIED IT ON THE SCREEN. Y'know, Alex is pretty punk; I'm honoured to have him on the team.